The price of the camera matters least of all. Most of the cost is the crew, the location, the cast and the time spent editing, so we give a concrete quote after the assessment. If the budget is tight, we'll also tell you what can realistically be made within it.
Portfolio
Image, motion, sound.
A few pieces from all three areas, so you have something to picture your own against.
Webshop catalogue
A product photography series for a webshop's full catalogue, with consistent lighting and backdrop.
Brand spot, 30 sec
A commercial from shoot to edit, with original music and sound mixing.
Print design
The graphic design of a printed publication, from layout to press-ready artwork.
What you can ask for
Four areas, one pair of hands.
Creative work is a discipline of its own with its own quality standards, not a by-product of development.
How it's made
Four steps from the briefing to the master file.
The same route for a commercial and for a piece of custom music; only the tools differ.
What you get
The finished material and the rights that go with it.
Production doesn't end when the file is sent; it ends when you can freely use what you ordered.
Questions about production
What people ask most often about media work.
If something is missing, just ask. A question doesn't commit you to anything.
Not always. A short social video often needs a camera operator and one assistant; a larger commercial needs lighting, sound and direction. The briefing makes it clear which case you're in.
A short, half-finished version of the music, or an animatic of the film. It exists so the direction can be corrected cheaply before actual production starts.
We do. The location, the schedule, the permits and coordinating the participants are part of the job; you only need to be there for the decisions.
No. It's enough to say what feeling you want, or name a track or two you like. We'll translate that into the technical part.
